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Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.

Motion pictures --- Motion picture plays --- Point of view (Literature) --- Philosophy --- History and criticism --- Point of view (Literature). --- Subjectivity in motion pictures. --- History and criticism. --- Philosophy. --- Narration --- Point de vue (cinéma) --- Literary semiotics --- Film --- 791.43.01 --- #SBIB:309H523 --- Edward R. Branigan ; Foreword by David Bordwell --- film --- filmtheorie --- narratologie --- auteurtheorie --- film en literatuur --- film en semiotiek --- 791.41 --- -Motion pictures --- -Point of view (Literature) --- Subjectivity in motion pictures --- Point of view in motion pictures --- Subjective camera --- Fiction --- Narration (Rhetoric) --- Persona (Literature) --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Filmologie. Filmtheorie. Esthetica van de film --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film plays --- Film scripts --- Filmscripts --- Motion picture scripts --- Moving-picture plays --- Photoplays --- Scenarios --- Screen plays --- Screenplays --- Scripts (Motion pictures) --- Drama --- Audiovisuele communicatie: verhaalanalyse --- Technique --- Cinéma --- Film. --- Motion pictures - Philosophy --- Motion picture plays - History and criticism